[1] She provided a drawing of Derkinderen for a biography of his childhood memories, published by his wife, the Dutch artist J.H.

She was a member of the Vereniging tot Bevordering der Grafische Kunst (VBGK) (Association for the Promotion of Graphic Art).

[2] In 1933 Duyvis' reputation as an artist was bolstered by a positive review of her burin engravings by noted critic Bram Hammacher.

[3] Her work was included in the 1939 exhibition and sale Onze Kunst van Heden (Our Art of Today) at the Rijksmuseum in Amsterdam.

[4] During the World War II occupation of the Netherlands Duyvis declined to register with the German Nederlandsche Kultuurkamer but was able to continue earning a living as an artist.