degree and PhD at The Courtauld Institute of Art, completing it in 1982 with a thesis, "Romanesque Architecture Sculpture in Kent".
[4] During her time at the Courtauld, she along with many other academics, contributed photographs to the Conway Library, an archive of historical architectural images, which is in the process of being digitized.
[5] In 1984 she worked for Zarnecki as Chief Research Officer and Administrator for his Hayward Gallery exhibition, ''English Romanesque Art 1066–1200''.
This was recognised as the greatest collection of early medieval English art ever brought at that time into this country, it was in many respects the crowning achievement of George's career.
Whilst there have been several articles analysing specific detail, their references would indicate that her book remains a core foundation for any subsequent research on the subject.