Deej Fabyc

[7] Their work has been shown at Artspace, Sydney,[8] the El Museo del Barrio, the National Gallery of Victoria, the Reina Sofia Museum, and the Whitechapel Gallery.Their work deals with three primary themes: gender, space and "forensic biography."

It has been described, by the art writer Robert Preece, as being "demanding, aggressively thought-provoking, and sometimes shocking in its raw content.

"[1][9] During the past 30 years, they have held roles in education, curating, and project management, and are currently the CEO of Live Art Ireland.

[3] Sucking at the Sublime (1994), a 3-day performance installation created in a domestic space, commissioned by Nick Waterlow.

[14] The White Room (1995-1998) a performance installation first shown in Sydney, then presented at the Experimental Art Foundation in Adelaide in 1997.