Dene Grigar

[8] Grigar is professor and director of the Creative Media & Digital Culture Program at Washington State University Vancouver.

Grigar has produced a number of multimodal artworks, including: Traversals: A method of preservation for born-digital texts, with Stuart Moulthrop, 2017[26] (includes The Many Faces of Judy Malloy's Uncle Roger) The Challenges of Born-Digital Fiction: Editions, Translations, and Emulations with Mariusz Pisarski, 2024 is a work that straddles both print and online multimedia aspects to explain how the Electronic Literature Lab preserved and emulated Judy Malloy’s its name was Penelope, produced on Eastgate Systems' Storyspace platform, and John McDaid’s Uncle Buddy’s Phantom Funhouse and Stuart Moultrop’s Hyperbola: A Digital Companion to Gravity’s Rainbow and Dreamtime, both created with HyperCard.

[27][28] Dene Grigar's 1997 Nouspace Gallery and Media Lounge was a MOO that "offered a place to continue thinking about what it means to live and work online and how one best interacts with and presents multimedia on the web."

[30][31] At the Modern Language Association (MLA) 2012 Convention, Dene Grigar, Lori Emerson, and Kathi Inman Barnes put on an "Electronic Literature Exhibit".

[32][6] She worked with Kathi Inman Barnes to curate "Electronic Literature and Its Emerging Forms" as an exhibition in the Library of Congress in 2013.

[33] [34][35][36][37] Grigar has done extensive work curating exhibitions of digital art and electronic literature, including for the Library of Congress[38] and Modern Language Association.