[4] Elizabeth Klisiewicz, writing for The Headphone Commute, stated that "Hammock go massive as they meditate on grand themes of death and loss, their music ever larger, more expansive.

Every disparate strand and sound conjured over the past eight years is no longer separated by song or by album, but layered on top of each other on a release that encompasses and near enough perfects the depth and breadth of the Nashville duo's back-catalogue.

"[3] Matt Gilley at Fluid Radio posited that the album is "probably the closest thing to an ambient/post-rock opera anyone has ever written, and if anyone is ever going to write one, it'll probably be Hammock.

"[6] Ned Raggett noted in his review for AllMusic that "if Hammock's fifth album is something of an extension and consolidation of their past work... it's also a flat-out triumphant one.

"[2] The additional artwork featured a theatre, with posters on the windows displaying the words "Chansons de Départ", which is French for "Departure Songs".