Devil's Due is a 2014 American psychological supernatural horror film directed by Matt Bettinelli-Olpin and Tyler Gillett, and written by Lindsay Devlin.

[4] Zach McCall and his fiancé, Sam, decide to begin a video diary the night before their wedding so that their future child will have a record of their family history.

Throughout the course of her pregnancy, Sam begins to experience a series of abnormal symptoms: nosebleeds, stomach bruising, cravings for raw meat (despite being a vegetarian), superhuman strength, telekinetic abilities, and violent acts of rage whenever she or the baby appear to be threatened.

Before the couple return home, masked men set up hidden cameras to monitor her progress and make sure she does not hurt the baby.

When he does, he sees their second doctor, the man who was watching their house, the cult leader and the cab driver who picked him up among the worshipers performing the ritual.

The ending shows another young couple on their honeymoon in Paris where the same cab driver offers a lift, implying that the cycle will start all over again.

On December 18, 2012, Fox announced that Matt Bettinelli-Olpin and Tyler Gillett would be directing Devil's Due, based upon a script written by Lindsay Devlin.

[3] Fox had approached the two directors (who are part of the filmmaking collective Radio Silence) based upon their short 10/31/98 in the 2012 horror anthology V/H/S.

"[7] The script had been pitched to them as "a found-footage take on Rosemary's Baby," but the directors wanted to find ways to make their movie different from the 1968 film that they both praise and consider a personal favorite.

"[6] Along with Allison Miller, Zach Gilford was announced to be in the film, which was shot during April 2013 in the Dominican Republic, New Orleans and Paris.

[12] A collector's edition of the Blu-ray with cover art by Orlando Arocena was released in 2017 alongside 19 MGM & Fox horror films such as Carrie, Joy Ride and Black Swan.

The film's consensus reads: "Derivative and mostly uninspired, Devil's Due adds little to either the found-footage or horror genres that it's content to mimic.

[18] Weinberg called the movie "a darkly passionate homage to Rosemary's Baby, the similarities are both intentional and affectionate,"[18] and Bloody Disgusting gave the film a favorable review, praising the acting of its lead characters, the sense of humor and drawing positive comparisons to the directors' earlier work on V/H/S.

[16] The film's directors claimed that this was a deliberate choice, stating that "Audiences are way too smart to have the 'this is real' found footage wool pulled over their eyes anymore"[22] and that, much like Chronicle, "Devil's Due doesn't pretend to be footage that anyone has found or compiled, it's simply a story told through cameras that exists in that world.

In that sense, it's a bit of an experiment that we were able to have fun with and as the character's [sic] lives spiral out of control, we're able to mirror that journey visually by shifting to different POVs.

The film contains diagetic music from Elvis Presley, The Gaslight Anthem, Alkaline Trio, Brenton Wood, Berlin, General Public, and Laura Stevenson.