Marie Jahn, Conrad Behrens, Juan Luria, Edmund Müller, and Bruno Lurgenstein rounded out the cast, under the direction of Anton Seidl.

Reviews of the opera were almost all negative; one writer described the piece as "simply rubbish", while others derisively referred to it as "Diana von So-Langweilig" (so boring).

When it was discovered that a third outing was intended on January 12, a petition, bearing three hundred signatures and demanding that the opera be removed from the repertory, was delivered to the management, who hastily replaced it with Fidelio.

Diana von Solange marked the final blow against Stanton; two days after the cancelled third performance, on January 14, it was announced that he was to be replaced by Henry Eugene Abbey for the following season.

[3] Despite the opera's poor reception, Andreas Dippel was singled out for praise by numerous critics; this, coupled with his other successes during the season, led to his being retained on the company's roster for the following year.