Diminution may be a form of embellishment in which a long note is divided into a series of shorter, usually melodic, values (also called "coloration"; Ger.
Diminution may also be the compositional device where a melody, theme or motif is presented in shorter note-values than were previously used.
Diminution is a form of embellishment or melodic variation in which a long note or a series of long notes is divided into shorter, usually melodic, values, as in the similar practices of breaking or division in England, passaggio in Italy, double in France and glosas or diferencias in Spain.
[1] It is thoroughly documented in written sources of the sixteenth, seventeenth and early eighteenth centuries, and enjoyed a remarkable flowering in Venice from about 1580–1620.
It is an integral aspect of modern performance practice; Donington describes the consequences of failing to add "necessary figuration" as "disastrous".
[4] "All diminution must be secured firmly to the total work by means which are precisely demonstrable and organically verified by the inner necessities of the voice-leading".
[7] In jazz, Thelonious Monk's composition "Brilliant Corners" consists of a theme that is repeated at twice the speed, an effect known as "double time."
One of the more common is the Octatonic scale constructed from C°7 and its tensions (transposed into the same octave), which has alternating tone and semitone intervals.