They were shot with very low production values, somewhat ineptly and were intended for public screening in cafés of cities and towns of northern Greece that belonged to friends of his.
His films' leads were always characters characteristically flawed, marginalized, criminals, ostracised by the law, yet striving for ideals such as atonemenent, redemption, or love.
People who lived in the worst of conditions, in sleaze and decaying urban hubs, under suspicion and distrust, who faced horrible, powerful villains, the threat of the often corrupt police.
Ex convicts, rapists, smugglers, they were very close to the definition of an anti-hero, offbeat heroes covered in filth with whom the viewer easily sympathized, facing abhorrent enemies, or worse, themselves; it can be argued that, perhaps unintentionally, his plots, motifs and characters bear a strong resemblance to those found in works of transgressive fiction.
After his death, the company passed to Mr. Aggelopoulos, a wedding videographer at the time of the film productions and currently an electrician, who worked with Mr. Voyatzis as a cinematographer, a co-director, a gaffer and a boom operator.