Dina Goldstein

Goldstein creates tableau with a nuanced visual language that places the mundane and everyday in unusual settings to inspire insight into the human condition.

[2] Goldstein began her career over 30 years ago as a photojournalist, evolving from a documentary and editorial photographer into an independent artist focusing on large-scale productions of nuanced Narrative Photography tableaux.

[3] Her work is highly conceptual and complex social commentary; incorporating cultural archetypes and iconography from the collective common imagination with narratives inspired by the human condition.

[4] Leaning into the visual language of pop surrealism, she stages compositions that expose the underbelly of modern life, challenging the notions of cultural influence and inherent belief systems.

Barbie gets the short end of that stick – in Goldstein’s telling of her story, she endures psychological dysfunction, an emotional breakdown, a really bad haircut and, ultimately, decapitation.

The series plays with narrative and religious iconography in order to communicate how organized belief has become twisted within a global framework driven by consumerism and greed" [21] "By constructing a cosmetic reality, one that mirrors our own, Goldstein doesn't evade discussion, but rather creates it.

[23] By re-imagining iconic Chinese advertisements to critique the beauty, health and wellness industries, Modern Girl investigates how traditional gender roles, and individualistic consumer values have constructed and used women's bodies to market and sell products.

Goldstein uses dreamscapes and symbolism to explore, and subvert popular traditional Jewish themes like destiny, temptation, justice, wisdom, blind faith and circumstance.

[27] The series seeks to examine the sociopolitical makeup of America through its political icons, the presidential figures that mark the most notable and controversial chapters in American history.

These, often humorous, narrative juxtapositions aim to deconstruct the layers of political deceit, exposing latent hypocrisies and challenging the integrity of a system that is supposed to be a model of democracy and social progress.

Each portrait carries this tension between the public display of social identity and personal expression.The exhibition reveals clues to the ethos of punk as an anarchistic, youth counterculture rebelling against mainstream society.