In a positive review for Clarín, Marcelo Fernández Bitar described Lali as "a complete and talented show-woman, a hurricane capable of delivering a show of international nature, similar to those by Britney [Spears] or Madonna.

[9] Similar thoughts were published by Mercedes Paz of Filo News, who pointed out that the most mesmerizing aspect of the concert were the choreographies, the multiple costume changes, the new versions of her songs, and the staging.

[13] On the other hand, Antonella Ramírez of Los Andes named Lali the "queen of Argentine pop" and highlighted the performances of "Ego" and "No Estoy Sola", referring to them as two of the most emotional moments of the night.

[18] Nicolás Sánchez Picón also wrote a review for La Gaceta and praised the show and its set list, especially during "Diva", affirming that "what Lali does reminds [people] of the greatest pop icons.

"[20] On her review for Soho Kulture, Carolina Rodríguez highlighted the show's production, choreographies and outfit changes, and held that "Lali has a small physical complexion, but on stage she is a giant.

"[22] In his review of the Madrid concert, Mario Caridad Sánchez of Los 40 described it as "an authentic electro-pop party that exceeded every expectation" and said that "from the very first moments, [her fans] showed devotion and emotion that would follow the singer throughout the rest of the night.

At the end of her rexiew, Amondaray wrote: "Amidst fireworks, colleagues hugging out, ecstatic choreographies [and] changing outfits, it could have been possible that the 50,000 people that where present got easily distracted with everything that surrounded the star of the night.

From her very first pop record effort, A Bailar, [Lali] was destined for great things in a genre in which she shines with the charisma that splashed over every aesthetic decision of a monumental show.

[47] Billboard Argentina highlighted Lali's changing and dazzling outfits and singled out the energy and emotion that could be felt in the stadium when she performed some of her most popular ballads on the B-stage.

[48] In his review for Página 12, Martín Olavarría labelled the show as "electrifying" and pointed out that the staging resembled the industrial settings of classical films like Metrópolis and Modern Times.