Almog's most notable work is her acrylic paintings on aircraft plywood which focus on themes of interior and exterior spaces.
This early work was multi-media using materials such as embroidery and printmaking which Almog utilized to explore feminist and gender issues in Iran,[3] as well as capitalism and the aesthetics of the 1970s.
[4] Almog's early painting works were distinctly figurative with 1992 show in Tel Aviv featuring a collecting of jewelry.
Her 1994 painting Men's Shirt and Suite, is an example of Almog's transition from figurative to abstract with less utilization of multi-media elements.
[5] Often, Almog will divide her canvas into distinct sections, such as with September late afternoon with back room (2011), where the image on the left and right thematically connect but it is unknown whether they exist in the same plane of reality.
Almog often paints smaller works hanging them directly next to each other, this can appear to make it a larger canvas, September Afternoon (2011) and Sea and Sky (2011) are one example of this.