Everything from written correspondence with email-scammers, paparazzi photographs downloaded from Google and contemporary music videos are brought into Ejlerskovs universe.
A large part of her work deals with contemporary pop-culture, where the purpose is to draw attention to what is happening in the intermediate positions, between the private and public space.
Most of Ejlerskov's work is founded on interactions with the Internet; written correspondences with email-scammers from exotic parts of the world, translations of trashy paparazzi photos into large scale abstract paintings or detailed medieval-looking copperplate etchings based on imagery from a contemporary music video.
[5][6][7][8] Most of Ejlerskov's work has a feminist angle[9][10][11] and questions the space between the personal and the public; suggesting an individual experience within a stream of collective consciousness.
She has also exhibited in Norway at Kristiansand Kunsthall in Kristiansand[21] and at Stenersenmuseet in Oslo,[22] at Den Frie Udstillingsbygning and Kunsthal Charlottenborg in Copenhagen, Denmark, at CCA Andratx[23] in Andratx, Spain, at Bonn Art Museum[24] in Bonn, Germany, at Amos Anderson Art Museum[25] in Helsinki, Finland and at Barbara Davis Gallery in Houston, Texas, US.