Dolly Tree

Dolly Tree (17 March 1899 – 17 May 1962) was an English illustrator, actress and costume designer who during the 1930s and 1940s designed dresses for Myrna Loy, Jean Harlow, Rosalind Russell, Maureen O'Sullivan and Judy Garland among others in addition to costuming historical dramas such as David Copperfield (1935) and A Tale of Two Cities (1935).

In 1912 her family relocated to London[2] and she began her career as an artist after seeing the play Vanity Fair at the Palace Theatre in 1916.

Of the play she later wrote, ‘I was fascinated by the wonderful dancing and art of Regine Flory and admired her so much that I started to design a special poster of her, really to amuse myself, based on my recollections of this vivid artist seen across the footlights.’ A friend took her drawing to Sir Alfred Butt who bought it and gave her a two-year contract (c1917-1918) to design posters and programme covers for of all his shows including The Boy (1917), The Beauty Spot (1917), Going Up (1918), Telling the Tale (1918), The Latest Craze (1919), The Kiss Call (1919), Very Good Eddie (1919) and Hello America (1919).

[3] In 1926 she moved to the United States,[2] first working in New York where she created the costumes for the 1928 Broadway play Diamond Lil starring Mae West.

In her will she left £757 to Arthur Thomas Isbell, a retired shopkeeper, and Edith Mary Kelynack (1894–1971) in her native United Kingdom.

Dolly Tree photographed with a long cigarette holder in 1926
Scanned portrait photograph from family collection, with stamp from Venice Photo Shop, 1402 Ocean Front, Venice, California on the rear and a handwritten note which refers to her mother, Bertha Isbell
Programme design by Tree for The Beauty Spot at the Gaiety Theatre in London (1917)
Tree died in the Pilgrim State Hospital in New York, now the Pilgrim Psychiatric Center
Maureen O'Sullivan in Hold That Kiss (1938) wearing a dress designed by Dolly Tree