In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell.
[2][need quotation to verify] Molière's comedy derives from the Spanish play The Trickster of Seville and the Stone Guest (1630), by Tirso de Molina, but each playwright presents a different interpretation of the libertine protagonist.
That the playwright Molière was celebrating a libertine life by positively portraying a rake, thus the intent of the play is disrespectful of the official doctrine of the Church, and thus subversive of the royal authority of the king of France, who is an absolute monarch.
The censored, verse edition Le Festin de pierre (1677) by Thomas Corneille changed the style of writing — and thus changed the intent of the play — by exaggerating Dom Juan's libertinism to render Molière's comedy of manners into a cautionary tale of the unhappy fate of irreligious people.
Throughout the story, Dom Juan is accompanied by his valet, Sganarelle, a truculent and superstitious, cowardly and greedy man who engages his master in intellectual debates.
For Guzmán, Sganarelle proudly paints a terrible portrait of his master, Dom Juan, as a fickle, cynical disbeliever whom women should distrust.
Guzmán exits and Dom Juan enters to argue with Sganarelle about the topic of marriage and amorous inconstancy, before revealing that he has fallen in love and has his sight set on someone new — a young, rustic bride-to-be.
Donna Elvira then enters to challenge Dom Juan to explain the reasons for his abrupt departure; his response leaves her angered.
Speaking in rustic vernacular, the peasant Pierrot tells his bride, Charlotte, of the adventure story of his rescue of Dom Juan and Sganarelle after they had fallen into the lake when their boat capsized.
Donna Elvira enters, no longer furious, but with loving, wifely spirit to warn her husband against the wrath of Heaven.
The news of repentance and reformation also delight Sganarelle, but Dom Juan immediately says he meant none of it, and then passionately speaks at length in praise of hypocrisy.
The spectre of a veiled woman appears to offer Dom Juan a final opportunity to repent his sins.
Thunder and lightning sound and flash, and the earth breaks open to swallow Dom Juan, whose fall is followed by flames.