A wide passage through the building marks the entrance into the Bezistan, which is the shortest pedestrian connection with Terazije, the central city square.

Terazije Theatre, McDonald's restaurant and Hotel Kasina are located in the buildings which lean on Dom Sindikata in the east.

Artists who performed on the stage include Olivera Katarina, Đorđe Marjanović, Arsen Dedić, Édith Piaf, Miles Davis, Ella Fitzgerald, Louis Armstrong, B.B.

Two folk music superstars of the day, Lepa Brena and Miroslav Ilić, held dozens of consecutive concerts.

[1][2][3][4] The 1977–1978 series of matches between Boris Spassky and Viktor Korchnoi, part of the 1976-1978 world championship cycle, was held in the Dom Sindikata.

Large cooling equipment, today obsolete, which occupies an entire room in the basement will be surrounded by the glass walls and be accessible to the students of technical sciences.

[1][2][3] In order to make room for the "contemporary works in the style of the Socialist realism", the new urban concept of Belgrade "ruthlessly demolished all obstacles".

In order to create the new, wide plateau of the square named after Marx and Engels and effectively being transformed into a parking later, several buildings were demolished.

In terms of architecture, it is the symbol of the construction immediately after the war, and with its position and volume, it permanently set the outline of the square, which itself is one of the most important public spaces in Belgrade.

[3][11] The original request by the authorities was for a design of a massive and strong building, fully in the manner of the Social realism, which meant no ornaments on the façade.

Petričić used the same aesthetics and materials, embedding Dom Sindikata as a filling and a natural extension of the Samojlov's project.

Public uproar was caused in October 2017 when Blic newspapers reported that painting, which they estimated up to €1 million, went missing during the reconstruction.

Minister for culture, Vladan Vukosavljević, and representatives of "Megacom", showed that the painting was still in the building, but was removed and protected due to the ongoing works.

The process of declaring the painting a cultural property started on 5 September 2017, but it stopped at the first step as the Association of the Trade Unions, which claims the ownership, couldn't produce the proper documentation which confirms that.