Domenico Morgante

[1] Graduated and specialized Cum Laude in Musicology, Organ, Harpsichord, Educational Sciences, he was a student of Luigi Ferdinando Tagliavini, Gustav Leonhardt, Colin Tilney, Marie-Claire Alain, Sergio Vartolo.

Of many compositions of the past has performed salvages and restorations critics (Girolamo Frescobaldi,[2] Giorgio Lapazaya,[3][4][5][6][7][8] Jacquet de Berchem,[9] [10] [11] [12] Giacomo Insanguine, Salvatore Fighera, Onofrio van Westerhout, Giuseppe de Ferrariis).

At the end of the 1960s, though very young, was among the first in Italy to deal with philological interpretation of Ancient Music and the concertism with historical instruments.

[14][15][16] He directed the restoration of important historical keyboard instruments, collaborating on several occasions with the Italian Ministry of Cultural Heritage and Activities.

He was awarded Professor Emeritus in the Organ Academy "Giacomo Insanguine" of Monopoli (Bari), for his outstanding teaching in the field of the organ he was awarded the Premio Abbiati Italian Music Critics under the High Patronage of the President of the Republic (Fiesole, 2008).