[1] Focusing on vigorous physical training and the principle of an artist's autonomy, the company has sought to create work in an ensemble setting intimately woven with the community.
Subsequently named the Women’s Cycle, the first 6 performances comprised a series of adapted plays including Rites by Maureen Duffy and My Sister in this House by Wendy Kesselman.
Highlights include: The Garden of Intimacy and Desire (2002-2008), a cycle exploring distinctive visions of magic realism in Jewish and Hispanic culture, was created by Klein with Carlos Uriona and Matthew Glassman.
The Latin American Cycle (2015-2018) began as a necessity to come to artistic terms with Cultural Strategist Carlos Uriona’s socio-cultural and personal background.
Cada Luna Azul (Once a Blue Moon) incorporated the songs and dances of South America in a fictional town called Agua Santa during a military dictatorship.
Once A Blue Moon continued the type of touring initiated in the Republic of Dreams project: site-specific events in buildings and outdoor places which held important contextual meaning.
Double Edge's unique, holistic methodology employs the artist’s full potential – emotional, imaginative, physical, vocal – to drive ensemble collaboration, individual exploration, and performance creation.
Participants create "etudes and presentations"; scenes using music, art, video, dance, and character, that seek to translate the physical and improvisational training into a devised work process.