He also incorporated varying aesthetics such as elaborate costume, music, set designs, and lights.

In 101, a performance exhibit choreographed in 1974, Dunn used his apartment to create a maze of cubes of rough-hewn lumber that covered his entire loft.

For four hours a day and six days a week in two months he held an open studio for viewers to enter the set and explore his creation in which they would find him lying on top of the boxes in a sort of trance with his eyes closed.

[2] Among Dunn's best-known works are, Nevada, Four for Nothing, 101, Octopus, Time Out, Gestures in Red, and Lazy Madge.

[4] and many later large group works such as Stucco Moon, Spell For Opening The Mouth Of N, Informations, Cleave, Buridan's Ass, and Cassations.