Dresden amen

Charles Villiers Stanford used a slightly expanded Dresden Amen at the end of his Nunc Dimittis in B-flat, op.

[2] Alexander Scriabin inserted a theme reminiscent of the Dresden amen in the first movement (Luttes ["Struggles"]) of his Symphony no.

Eric Ball's tone poem The Kingdom Triumphant, a musical picture of the first and second coming of Christ, uses the Dresden amen prior to the presentation of the hymn Helmsley with its associated words "Lo, He comes with clouds descending".

Carl Davis used the Dresden Amen prominently in his score for the sound-added reissue of the 1925 silent film Ben-Hur, particularly in scenes featuring the life of Christ.

Igor Stravinsky starts the 3rd movement of the Symphony of Psalms with a shortened version of the Dresden Amen, finishing with a dominant chord on the tonic pedal note.