It was experimental and a lot of things were not about playing chord changes but exploring tonal relationships... the whole album took about two years to produce.

"[5] Electronic duo Techno Animal did a remix of "Miles to Go" for the album Macro Dub Infection, Vol.

[1][6] In a review for AllMusic, Christian Genzel wrote that the musicians "have produced an album which skillfully blends '70s fusion and '90s acid jazz: Gleeson's funky hip-hop beats sound fresh and up to date, while his usage of analog synths... breathes a '70s air.

He praised "Miles to Go," stating: "Maupin shows that he's still one of the best bass clarinet players around; his screaming and squealing through Gleeson's synth washes is probably his best performance (on record) in years.

"[1] The authors of The Penguin Guide to Jazz Recordings called the album "a curious period piece awkwardly transplanted in time," but noted that "Gleeson's rhythms are more than wallpaper for Maupin's plangent saxophone.