Les Mignons

Les Mignons (from mignon, French for "the darlings" or "the dainty ones") was a term used by polemicists in the contentious atmosphere of the French Wars of Religion and taken up by the people of Paris, to designate the favourites of Henry III of France, from his return from Poland to reign in France in 1574, to his assassination in 1589, a disastrous end to which the perception of effeminate weakness contributed.

[1] The mignons were frivolous and fashionable young men, to whom public malignity attributed heterodox sexuality, rumors that some historians have found to be a factor in the disintegration of the late Valois monarchy.

The appearance of the mignons on Henry's visits in July 1576 to the parishes of Paris to raise money to pay for the provisions of the Edict of Beaulieu (1576), occasioned a report by L'Éstoile: L'Éstoile added "they wear their hair long, curled and recurled by artifice, with little bonnets of velvet on top of it like whores in the brothels, and the ruffles on their linen shirts are of starched finery and one half foot long so that their heads look like St. John's on a platter.

"[3] The figure of Ganymede was employed in scurrilous sonnetry,[4] but the subtext of criticism within the court was most often that the mignons were not drawn from the cream of noble families, as had been the court favourites of his late brother Francis II or their father Henry II, but from the secondary nobility, raised up to such a degree that the social fabric appeared to be unnaturally strained.

In the political treatise Le Theatre de France (1580) the duel was invoked as "the day of the pigs" who "killed each other in the precinct of Saint Paul, serving him in the Muscovite manner".

Henri III , then Duke of Anjou , dressed in elegant attire of 1570 , including a "little bonnet of velvet". Painting by Jean de Court .
Contemporary portrait drawing of Louis de Maugiron
Triple Profile Portrait , 1570s, Milwaukee Art Museum . The Mignons of Henry III likely favored such fashion.