The foremost coloratura singer of her generation, her principal roles included Olympia in The Tales of Hoffmann, Zerlina in Don Giovanni, Susanna in The Marriage of Figaro, Gilda in Rigoletto and Ännchen in Der Freischütz.
She attended the Music Conservatory as a student of Poul Bang and received training from her husband-to-be, the tenor Einer Wilton (1888–1932).
In 1919, she performed in the revue Capriciosa as Ebba Dane but it was not until she married Einar Wilton that her voice really started to improve.
It was thanks to her husband's training that in December 1924, she made her début at the Royal Danish Theatre as Queen of the Night in The Magic Flute.
[3] Recognized for her voice rather than her acting, she went on to take the key soprano roles in the classical operas as well as in Danish works, including as Aase in Peter Heise's Drot og Marsk.