Ebony Woman

The album was produced by Kenny Gamble and Leon Huff, arranged by Stanley Johnson and Bobby Martin, and engineered by Joe Tarsia.

[2] The song was resurrected and re-cut as the title track for an album which Paul and his producers Kenny Gamble and Leon Huff wanted to make a statement with.

Specifically, Paul's debut Feelin' Good at the Cadillac Club was a conventional jazz album with sparse production that failed to make the impact they hoped it would.

"[4] Paul mixed jazz and soul; ballads with mid-tempo and upbeat numbers; and covers with originals—a formula he would repeat on subsequent albums.

[2] Ed Williams, Program Director for WLIB in New York City, wrote the liner notes that appear on the back cover of the album: After nearly four hundred years of toil and strife "EBONY WOMAN" is finally on her way.

As she fittingly assumes her proper place in the universe, her honor is shared with both Morris Bailey, the perceptive author of Ebony Woman and Billy Paul, the artist who depicts her so tenderly.

Horace Silver, who takes all credit for writing this tune, has given "Psychedelic Sally" to Billy Paul who brings it on with full fashion.

His ability to communicate straight from the heart shows how he utilizes every moment of his life and submits each added dimension to his versatile music vocabulary.

With this album and the aid of a fine manager, Al Richardson (of Strate Ahead Productions Ltd.), Billy Paul and his trio, (consisting of Stanley Johnson, pianist, Sherman Ferguson, percussionist, and James Glenn, Bassist; three very bright and talented musicians) are emerging as a vital force in every aspect of the music world.

Unlike the early 1960s, when independent labels could wheel and deal for airplay, five major record manufacturers (Columbia, Warner-Seven Arts, RCA Victor, Capitol-EMI, and MGM) now controlled more than half of the pop marketplace.

When asked in 1973 about a follow-up to 360 Degrees, Paul replied: "I have honestly been too busy doing shows across the country to get settled into thinking about a new album, it's as simple as that.

Horace Silver recorded "Psychedelic Sally" as an instrumental but when Billy Paul said that he wanted to record it, Silver gave Paul the lyrics.