[2] The company has toured throughout Europe, Russia, the United States, Canada, Brazil, Mexico and the Middle East.
It has created more than 20 original plays, devised pieces as well as adaptations, ranging from duets to large ensemble works: The Little Dictator (parts I & II), Beyond the Garden, Crusade, Entangled Lives, The Government Inspector and The Orpheus Complex.
Using Corporeal Mime as the base of their creative work, the dramaturgical construction of their plays takes the form of a voyage where the characters traverse varied landscapes and lifetimes, some real, some imaginary.
Throughout their various productions, the company explores the infinite possibilities of the interaction between the corporeal score and the spoken text, music and film.
Alongside this personal artistic development, in 1992 Wasson and Soum took up the challenge of re-introducing the repertoire of Etienne Decroux to the public with their reconstruction, and performances by the Theatre de l'Ange Fou, of most of his major pieces (including La Meditation, Les Arbres and L'Usine) in The Man Who Preferred to Stand, and more recently, Passage of Man on Earth and Resonance.