He studied at Bangor University under the supervision of Andrew Lewis completing a doctorate in mixed electroacoustic and instrumental music in 2010[1] Edward Wright is actively composing and recording.
During his time completing his thesis Wright worked on a number of broadcast projects including the tape part and realisation of Stereo Type for Guto Puw broadcast on S4C television in 2005 as part of the Bangor New Music Festival, also appearing on S4Cs Sioe Gelf with a workshop with pupils from Ysgol PendalarS4C television Sioe Gelf 15/4/08,[9] and work being played on BBC Radio 1 Wales Introducing BBC Radio 1 Wales Introducing 5/6/09.
Wright initially developed software within the Max/Msp/Jitter and Csound environments as a way of creating methods to perform otherwise impossible music, as in the case of the 8 channel audio/video mixer devised for 'Harp Set', and the sample/processing/difussion system of 'Polarities'.
Wright's approach to software design as a method of interfacing with the digital world during live performance brings software design (as in the case of 'Crosswire' and 'Sound games') closer to instrument building, focusing on methods of physical interaction e.g. mouse, Wii Remote and motion tracking controls which provide a wide range of expression yet demand the precision of physical control expected by an instrumental performer.
Wright has worked collaboratively with a number of artists, most especially the photographer and poet Morlo Bach under the title of Virtual Poetry for: 'Passage, In memory of Thomas/Celtic Cross' and 'Broken Glass', and with the author Graeme Harper on 'Seasons'.