It was on the other side of the great range that he would first achieve prominence as a writer, after gaining an appointment as the Daily Mail correspondent accompanying the expeditionary force led by Sir Francis Younghusband into Tibet in 1903-4.
Disillusioned, he became gradually embedded in the political conservatism of 'Anglo-Indian' club society, and in 1913 his fellow-author E.M. Forster found him in the "loneliness and isolation of his life at Patiala"[4] a cantankerous and creatively parched figure.
Candler's work, most notably his self-portrait as the schoolmaster Skene in the novel Siri Ram: Revolutionist, registers “the passage from romantic expectations to a disappointed acceptance of the unease which English and Indian generated in each other measures the distance between a traveller’s fantasies … and a white resident’s experiences.”[5] In a letter of 1909 to his brother he writes that in his more confident moments he feels that “my stuff reeks of India more than any stuff but Kipling’s.”[6] Kipling had left India for the last time in 1891, and his admirer Candler self-consciously follows in his footsteps, literary and literal.
The Kiplingesque image of India as a grandiose and irrational land comes naturally to Candler, and when describing locations significant in Kipling’s own fiction, such as Benares (Varanasi), he applies imaginative treatments and tropes such as the heroic, Romantic or Gothic to some degree pre-fabricated for him by his master.
His major work of fiction, the novel Siri Ram: Revolutionist, shows a writer caught awkwardly between his great predecessor and his own original and perceptive, if jaded, view of Indian youth.