Edmund Kesting

[1] He studied until 1916 at the Dresden Academy of Fine Arts before participating as a soldier in the First World War, upon returning his painting teachers were Richard Müller and Otto Gussmann and in 1919 he began to teach as a professor at the private school Der Weg.

[2] He formed relations with other vanguardists in Berlin and practiced various experimental techniques such as solarization, multiple images and photograms, for which reason twelve of his works were considered degenerate art by the Nazi regime and were prohibited.

At the end of World War II he formed part of a Dresden artistic group known as Künstlergruppe der ruf - befreite Kunst (Call to an art in freedom) along with Karl von Appen, Helmut Schmidt-Kirstein and Christoph Hans, among others.

He participated in the controversy between socialist realism and formalism that took place in the German Democratic Republic, therefore his work was not realist and could not be shown in the country between 1949 and 1959.

His artistic work was not recognized by the authorities of the German Democratic Republic until 1980,[citation needed] ten years after his death.