[1] The establishment combines different disciplines, ranging from video and installation to painting and sound, and also actively works with international institutions and curators to present off-site artistic projects and exhibitions.
Notable solo exhibitions in recent years include Chou Yu-Cheng's "Sedimentary Gradient" in 2022,[3] Yeung Hok Tak's "What a big smoke ring" in 2022,[4] Nabuqi's "Ghost, Skin, Dwelling" in 2021,[5] Yang Chi-Chuan's "Plastonki" in 2021,[6] Yu Ji's "Forager" in 2020,[7] Günther Förg's "1986 – 1992" in 2020,[8] Ko Sin Tung's "Adaption" in 2019,[9] "R for Rhombicuboctahedron" in 2019, the eighth volume of Ho Tzu Nyen's series "The Critical Dictionary of Southeast Asia",[10] "The highway is like a lion's mouth" by Samson Young in 2018,[11] Wong Ping's "Who's the Daddy" in 2017,[12] "Refresh, Sacrifice, New Hygiene, Infection, Clean, Robot, Air, Housekeeping, www.ayibang.com, Cigarette, Dyson, Modern People" by Chou Yu-Cheng in 2017,[13] among others.
Notable international projects include Yuan Yuan's exhibition "Alternative Realities" in the Palazzo Terzi, Bergamo in 2018,[14] Su-Mei Tse's "A Certain Frame Work 3 (Villa Farnesina)" for Hayward Gallery's Waterloo Billboard Commission in 2018,[15] and the moving image project "Dreams, Illusions, Phantom Flowers" in partnership with Elephant West, London in 2019.
The gallery's first space opened in 2010 and was designed by the Office for Metropolitan Architecture Asia (Hong Kong),[44] led by the architect Rem Koolhaas.
In January 2015, the gallery expanded twice in size and moved to a new space, occupying an entire floor, designed by the Hong Kong–based firm BEAU Architects.