The ample catalogue of his works and his biographic profile has been catalogued in the Iberoamerican Dictionary of Music (Diccionario Iberoamericano de la Música): "The songs of Eduardo Morales are included in the best of a compositional tradition that comes from the great composers of the last century Cuban composers... careful structural development, notable lyric flow, strong dramatic accent, achieving a total correspondence between the sound background and the "ethos" of the lyrics.
[1] He began his musical formation studying accordion, which he substitutes by the piano and clarinet upon joining the Conservatory, always keeping a clear vocation toward composition.
After serving for some time as a professor of harmony, musical analysis, and counterpoint at ISA, in 1996 he received a scholarship to continue studies at the Conservatorio Superior de Música de Madrid under the guidance of professor Antón García Abril, to whom he dedicated as an homage his first symphonic piece: Los ojos del Guadiana and Especulaciones I, II, III for flute, clarinet and bassoon trio.
During the year 2000 he obtains a Doctorate in Music from the Universidad Autónoma de Madrid, under the guidance of the Spanish professor and composer José Peris Lacasa.
He is a member of SGAE and participates in the Talea group, a society of young composers that live in Spain, dedicated to the promotion of contemporary music.