In the early 1890s, Bellamy established a newspaper known as The New Nation and began to promote united action between the various Nationalist Clubs and the emerging Populist Party.
[2] Returning to the United States, he decided to abandon the daily grind of journalism in favor of literary work, which put fewer demands upon his time and his health.
Bellamy's early novels, including Six to One (1878), Dr. Heidenhoff's Process (1880), and Miss Ludington's Sister (1885), were unremarkable works, making use of standard psychological plots.
[5] A turn to utopian science fiction with Looking Backward, 2000–1887, published in January 1888, captured the public imagination and catapulted Bellamy to literary fame.
[8] The new economic basis of society effectively remade human nature itself in Bellamy's idyllic vision, with greed, maliciousness, untruthfulness, and insanity all relegated to the past.
[9] His vision of a country relieved of its social ills through abandonment of the principle of competition and establishment of state ownership of industry proved an appealing panacea to a generation of intellectuals alienated from the dark side of Gilded Age America.
[10] Bellamy's use of the term "Nationalism" rather than "socialism" as a descriptor of his governmental vision was calculated, as he did not want to limit either sales of his novel or the potential influence of its political ideas.
[11] In an 1888 letter to literary critic William Dean Howells, Bellamy wrote: Every sensible man will admit there is a big deal in a name, especially in making first impressions.
It smells to the average American of petroleum, suggests the red flag, and with all manner of sexual novelties, and an abusive tone about God and religion, which in this country we at least treat with respect.
[13] For the next three and a half years, Bellamy gave his all to politics, publishing his magazine, working to influence the platform of the People's Party, and publicizing the Nationalist movement in the popular press.
In this final work, he addressed the question of feminism, dealing with the taboo subject of female reproductive rights in a future, post-revolutionary America.