He was one of the two chief designers, along with Carl Almquist, for the Lancaster firm of Shrigley and Hunt, producers of stained-glass windows and church-fittings.
[1] Hunt, Almquist and Jewitt worked as a close team, using Aesthetic techniques derived, in Almquist's case, from Edward Burne-Jones via Henry Holiday, and in Jewitt's case from Burne-Jones and Dante Gabriel Rossetti.
Together, Almquist and Jewitt developed a house style of subtle colours (becoming richer in later years) and delicate drawing which defined Shrigley and Hunt until well into the 20th century.
[11][8] Jewitt designed many windows for locations in the Home Counties, the East Midlands, Yorkshire, and above all the north-west of England, and there are scattered examples elsewhere.
[12] There are also examples of painted tiles, murals, reredoses and patternwork by him,[13] and on at least one occasion he restored medieval wall-paintings.