Edward Reginald Frampton (1870 – 4 November 1923) was a British painter who specialized in murals, specifically war memorials at churches.
[1] Early in his career he devoted himself to landscape painting; after a lengthy stay in France and Italy, and after seeing an exhibition of the collected works of Sir Edward Burne-Jones he chose to concentrate on illustrating the human form.
Mr. Frampton considered himself to have been influenced both by primitive Italian painting and the English Pre-Raphaelite design, and also by the compositions of Pierre Puvis de Chavannes.
Such a mode of treatment, in the hands of a less capable draughtsman, might well produce a painful impression of feebleness or lack of definition.
He adopts a subdued tone from a sense of decorative fitness, his aim being to ensure the flat effect and the subordination proper to mural backgrounds, as distinct from the meretricious illusion of prominent relief and receding distances, which disqualifies the average easel- picture from a place in any broad architectonic scheme.