Egardus

The extant works—a canon and two Glorias—appear to be less complex than music by mid-century composers, possibly because they date from either very early or very late in Egardus' career.

A northern origin is suggested by his name, a copy of one of his works in a Flemish manuscript, and a possible citation of his music by Thomas Fabri.

[2] Strohm identifies a "Magister Johannes Ecghaerd" appointed as succentor of St Donatian's Cathedral (Sint-Donaaskathedraal) in Bruges in 1370 as a possible match for the composer.

A canon, Furnos reliquisti quare; Equum est et salutare is found in a single source, Mod A (Modena, Biblioteca Estense e Universitaria alpha.M.5.24).

The Gloria with the trope "Spiritus et Alme" appears in three sources, Utrecht, Universiteitsbibliotheek 1846 (olim 37, independently discovered by Schmid and Strohm) and two sources from Padua, Biblioteca Universitaria: MSS Ba 2.2.a (formerly 1225, part of Pad D) and 1475 (part of Pad A).

f. 204v-205r, Mod A f. 21v-22r, a collection of sources in Grottaferrata and at Dartmouth College (f. Dv-4r), Padua Ba 2.2.a (1225), f. 1v, and, recently identified, in Udine, Archivio di Stato framm.