The Egyptian Hall was commissioned by William Bullock as a museum to house his collection, which included curiosities brought back from the South Seas by Captain Cook.
[4] Bullock, who had displayed his collection in Sheffield and Liverpool[5] before opening in London, used the hall to put on various spectaculars, from which he made money through ticket sales.
In 1821, exhibitions included Giovanni Battista Belzoni's show of the tomb of Seti I in 1821, and James Ward's gigantic Allegory of Waterloo.
In 1822, a family of Laplanders with their reindeer were imported to be displayed in front of a painted backdrop, and give short sleigh-rides to visitors.
[9] The bookseller George Lackington became owner of the Hall in 1825 and went on to use the facilities to show panoramas, art exhibits, and entertainment productions.
The old Water-Colour Society exhibited there in 1821–22, and it was hired by Charles Heath to display the watercolours commissioned by from Joseph Mallord William Turner forming Picturesque Views in England and Wales.
[10] By the end of the nineteenth century, the Hall was also associated with magic and spiritualism, as a number of performers and lecturers had hired it for shows.
In 1873 William Morton took on the management of the Hall and modified it for his protegees, Maskelyne and Cooke, whose run there lasted a remarkable 31 years.