Eikon Basilike

'Royal Portrait', Greek pronunciation: [iˈkon va.si.liˈci]), The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, is a purported spiritual autobiography attributed to King Charles I of England.

Written in a simple, moving and straightforward style in the form of a diary, the book combines irenic prayers urging the forgiveness of Charles's executioners with a justification of royalism and the King's political and military programme that led to the Civil War.

Whoever wrote the Eikon Basilike, its author was an effective prose stylist, one who had partaken deeply of the solemn yet simple eloquence of Anglican piety as expressed in Cranmer's Book of Common Prayer.

The end result is an image of a steadfast monarch who, while admitting his weaknesses, declares the truth of his religious principles and the purity of his political motives, while trusting in God despite adversity.

Because of the favourable impression the book made of the King, Parliament commissioned John Milton to write a riposte to it, which he published under the title Eikonoklastes (lit.

The Eikon Basilike and its portrait of Charles's execution as a martyrdom were so successful that, at the Restoration, a special commemoration of the King on 30 January was added to the Book of Common Prayer, directing that the day be observed as an occasion for fasting and repentance.

Richard Helgerson suggests that Eikon Basilike represents the culmination of the representational strategies of Charles' immediate Tudor and Stuart predecessors: the textual absolutism of King James and the "iconic performativity" of Elizabeth.

[7] In Helgerson's view, Eikon Basilike draws upon devotional impulses that both precede and supersede the dominance of the print-obsessed Protestant scripturalism ascendant at the moment of Charles' execution.

I would rather choose to wear a crown of thorns with my Saviour, than to exchange that of gold, which is due to me, for one of lead, whose embased flexibleness shall be forced to bend and comply to the various and oft contrary dictates of any factions, when instead of reason and public concernments they obtrude nothing but what makes for the interest of parties, and flows from the partialities of private wills and passions.

Title page of Eikon Basilike .
The famous triple portrait of Charles I by Van Dyck . Bernini , seeing this picture, called it "the portrait of a doomed man".
The Eikon Basilike ' s frontispiece by William Marshall, with explanations.