Partially because of the electronics, sound convergence squealing metallic crunches and pulsating wooden echoes as well as more expected percussion slaps and keyboard clips and shaking single notes are projected."

"[5] Marc Medwin of The New York City Jazz Record commented: "Each cymbal and drum stroke, piano sonority and attendant electronic exhortation thrums with the excitement of discovery and rings with the satisfaction of event in fruition.

Music such as this exists within and transcends its time, each audition a multivalent glance at the creative histories and microhistories caught, enshrined and discarded by those brave souls who created them.

"[7] Writer Adam Baruch stated: "This music is not only freely improvised, but it also employs unconventional sounds, which cannot be defined or even annotated in the conventional notation systems.

"[9] A writer for the Marlbank web site called the album "extraordinary," and noted: "A very absorbing, unearthly listen, it's hugely compelling, challenging and above all full of vitality.