[3] In the early 1980s, Bond produced aerial views of natural sites showing ecological disruption.
[7] These large-scale, unstretched canvases suggested that the city is an imaginary place with landscapes that existed as in-between spaces.
[8] Recent projects include the Mountain of Shame series of paintings and sculptures (2010) that marked a shift away from the social and architectural and towards the personal.
Bond created an emotional topography in which the vulnerabilities of doubt, age and loss are mapped on the surfaces of various media.
She has been a lecturer, has held studio residencies abroad, and has been actively involved in Plug In ICA in Winnipeg since its inception.