[7] Trouser Press wrote: "Sweetly engaging and as freshly cut as a suburban lawn on Sunday afternoon, Electric Juices is Fuzzy perfection.

"[11] The Orlando Sentinel concluded that "the distorted guitars and heavy, post-punk rhythms make for an interesting contrast with the New Wave-y 'Drag', the power-poppy 'Sleeper' and the bouncy 'Girl Don't Tell Me'.

"[12] The Intelligencer Journal deemed the album "guitar pop of a high order," writing that "what makes Fuzzy special is the harmony singing of [Chris] Toppin and [Hilken] Mancini, whose voices blend beautifully.

"[13] The Vancouver Sun opined: "Blasting open with zippy burst of harmonies and a driving beat, Fuzzy fills out more space than the cuddle-core movement and its diametric opposite: riot-grrl thrust.

[15] AllMusic wrote that "'Someday' and 'Christmas' are the only tracks that have the ambition to be more than just sunny mid-tempo rockers, but their impact is reduced by the sedated state of mindless comfort listeners are placed into over the course of the first nine songs.