[5] In 1952, pianist and arranger Aida Diestro organized the vocal quartet called Cuarteto d'Aida.

Her voice seemed to become stronger with age, as her subtle yet sophisticated technique graced every song she sang with an emotional weight.

Over the years she performed with top Cuban dance bands such as Orquesta Aragón, and with highly acclaimed singer-songwriters, including Pablo Milanés.

She certainly could "take a sad song and make it better", piercing the emotional veil of her audience with an almost palpable sincerity, winning the moniker "Señora Sentimiento" (Lady Feeling).

[8] Though she mostly interpreted classic Cuban boleros and Son, her versions were distinct, supported by top-notch musicians and arrangements.