Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure.
To reduce this dissonance the third is often omitted[4] (such as for example in the dominant eleventh chord that can be heard 52 seconds into the song "Sun King" on The Beatles' Abbey Road album), turning the chord into a suspended ninth chord (e.g. C9sus4, C–G–B♭–D–F), which can be also notated as Gm7/C.
[2] Another solution to this dissonance is altering the third or eleventh factor of the chord to turn the problematic minor ninth interval within the chord into a major ninth.
As its upper extensions (7th, 9th, 11th) constitute a triad, a dominant eleventh chord with the third and fifth omitted can be notated as a compound chord with a bass note.
The eleventh is usually retained as a common tone when the chord resolves to I or i.