[3] She resides with her husband, entrepreneur Enrique Rob Lunski, at their estate, Casa del Arte, in Ulster County, New York.
[3] In 2007, as part of the "No East-No West" exhibition at the Van Brunt Gallery in Beacon, New York, Pritzker created the "Buddha Project," an installation conceived as an allegory to enter into the inner self.
The gallery floor was arranged with white sand and a bowl of water, representing the Buddhist symbols of purity, meditation cushions and a path of stones.
At the close of the exhibition, Pritzker painted over the "Eyes of the Buddha," returning the wall to its original white, following the Buddhist tradition of mandalas, the complex patterns painstakingly created with various colors of sand, then destroyed, the Tantric ritual complete.
For "antlers.jaws.skin," she reached deep into her South American heritage and merged it with her connection to nature, drawing lines and shapes reflective of indigenous peoples on animal bones.
Her project, the "Selknam Series," referenced the indigenous people of southern Argentina and Chile, and is an "investigation, research and visual homage to a rich and deep civilization that is now totally extinct.
[12][13] Pritzker exhibited "Selknam: Spirit, Ceremony, Selves" at the Hudson Valley Center for Contemporary Art (HVCCA) Museum from May to September 2017[14][15][16] and the Gallery of the Consulate General of Argentina in New York in October 2017.
[23][24] Pritzker has exhibited extensively in the United States and abroad, in group and solo exhibitions, including such notable New York City venues as the Museum of Modern Art, the Cork Gallery at Lincoln Center Plaza, Franklin 54 Gallery, the Pinta Art Fair, Brooklyn's NurtureArt, and the Sculpture Center in Long Island City, Queens.
[3] Pritzker was the U.S. representative artist invited to the international art project, "The Pyramids of Naxos", focused on the environment and waste presented during the 2004 Olympics in Greece.