[4] Belliveau presently serves on the board of directors for one of the province's largest and oldest centres for Canadian contemporary art, Latitude 53,[5] and is an advisory council member for Grant MacEwan University's John and Maggie Mitchell Gallery in Edmonton, Alberta.
"[8] In an interview for Edmonton, Alberta's SNAP Gallery, Belliveau shares that she was profoundly moved by the sub-genre's "depictions of the abundance and decadence and all the wasted food, after the party.
"[8] Often calling into question issues of equitable access, and in the artist's choosing to work within a range of both traditional and digital mediums, Belliveau's multidisciplinary practice often ventures further to "reimagine the boundaries of waste and aestheticism.
Chosen as one of thirty artists across two provinces and five treaty territories,[15] Belliveau's submission contributed to the exhibition's overall calling to attention of how notions of place - and displacement - are enforced by imaginary 'borders' within our sociopolitical structures.
The Biennial of Contemporary Art's official statement notes that all submitted works act to "[call] attention to how borders are expressed, who can enforce them, and what is confined by their limits.
In an interview for Edmonton, Alberta's SNAP Gallery, Belliveau suggests that she has been particularly interested in the ways “women’s stories [have] [been] preserved through diaries, journals, and letters”[8] throughout her studies as an academic and as a multidisciplinary artist.
[17] Published by Conundrum Press, the artist's newest works comprise “four short chapters on the daily life of a lady in a 680 sq/ft condo in Edmonton (the City of Champions) trying to teach during the pandemic.”[17]