Elisabeth Dhanens

[1][2] Based on field work in Italy in the early 1950s she published a monograph about Jean Boulogne in 1956, which earned her an award from the Royal Flemish Academy of Sciences, Letters and Fine Arts and a year later a Fulbright scholarship - allowing her to study in the United States.

The inventory of the St Bavo's Cathedral in Ghent began her lifelong passion for artists Hubert and Jan van Eyck.

In her capacity as inspector, she had access to original sources which began a long scholarly examination of the Ghent Altarpiece.

Additionally she studied 12th century theologian, Rupert of Deutz's commentaries which she considered an important iconographical influence on the van Eycks.

[1] The monograph was eagerly anticipated, according to Lorne Campbell, who wrote of it on publication that "it must take its place immediately as the standard work on the artists".

Art historian Elisabeth Dhanens as a young woman