[1][2] Sisco creates art about immigration, tourism, and citizenship, particularly about the Chicano experience in the United States and life on the border between San Diego and California.
[4][5] In 1991, Sisco staged a protest when part of her work that criticized American tourists was removed from the exhibition "Los Vecinos/The Neighbors" at the Tijuana Cultural Center.
"[12] In January 1988, the three displayed 100 copies of poster in the advertisement space on public buses in San Diego, while the city was hosting Super Bowl XXII, sparking controversy.
And that mobility moved from the back of the buses into the press, onto the television, onto the beaches where surfers debated the project, and into elementary schools and college classrooms.
[2]As one journalist noted, "The artists set out to publicize the plight of undocumented migrant workers, and they used the theater of the real world very effectively to achieve that goal.
"[24] In the installation, Sisco, Avalos, and Hock handed out ten-dollar bills from a NEA grant to, in the artists' words, "undocumented taxpayers" in North San Diego County.