Ella Freeman Sharpe (1875–1947) was a leading figure in the early development of psychoanalysis in Britain,[1] and was among the most influential of the first British training analysts.
[2] Sharpe taught at the Hucknall Pupil Teachers Training College 1904–16,[2] before moving to London to undertake analysis with Edward Glover's brother James.
[2] In the twenties Sharpe, like most of the London analysts, supported the more experienced work of Melanie Klein against the newcomer Anna Freud,[3] and she continued to show Kleinian influence into the early thirties.
[6] Investigating female patients who used artistic performance as a form of identification with the phallus, she also pointed out the problematic aspects of that incorporation in phantasy.
[7] Her attention to the role of symbolism in life and psychoanalysis has made her appear as a precursor of Jacques Lacan,[8] who would himself pay tribute in Ecrits to "Ella Sharpe and her very relevant remarks...She is far from ordinary in the extent to which she requires the analyst to be familiar with all branches of human knowledge".