Elna Ørnberg

As a result of her support of the Nazis under the German occupation in World War II, she was imprisoned for six months.

[1] After becoming a soloist in 1910, she soon established herself as the company's most competent female dancer, performing the leading roles in Bounonville's Sylfiden, Brudefærden i Hardanger, Et Folkesagn, Fjernt fra Danmark and Toreadoren.

[2] Thanks to her outstanding technique and imposing personality, she excelled as Swanhilda in Coppélia when performing in Paris, London and Berlin.

[2] After training with Mikhail Fokin when he visited Copenhagen, she became particularly interested in modern ballet, playing Tabor in Walbom's En Nat i Ægypten in 1918 and Hakon Børresen's Tycho Brahes Drøm (1924).

[1][2] During the Second World War, influenced by her husband Leif, she collaborated with the Germans, participating in propaganda-based radio plays and sketches.

Elna Ørnberg (c. 1935)
Together with Emilie Schmidt and Grethe Sønck , Elna Ørnberg modelled for the Ballerina Fountain ( Danserindebrønden ) in Helsingør