Emilio Terry

After 1897 Francisco Terry moved his family to New York City, where Antonia and her daughter, Natividad (later Countess Stanislas de Castellane), were painted in 1897 by the Swiss-born American artist Adolfo Müller-Ury.

[7] Emilio Terry owned a villa on the Côte d'Azur and a Paris apartment at 2, place du Palais-Bourbon.

[…] M. Terry, brother of my sister in law Stanislas […], fell in love with my apartment, and […] and asked me to give over the lease to him.

[12] At once neoclassical and baroque, Emilio Terry designed houses, furniture, tapestries, objets d'art, gardens, and the interior decor of apartments and châteaux.

Expressions of the "style Louis XVII" can be found in the work of the landscape artist Achille Duchêne and the designer Madeleine Castaing (in the latter case an amicable rivalry arose between her and Terry in the 1950s, with them both claiming to be the author of a certain motifs[14] Among his clients, Emilio Terry worked for the Greek shipping magnate Stavros Niarchos as well as Rainier III of Monaco (for whom he decorated an apartment intended for princess Grace[11]) and the Beauvau-Craon family (for whom he redesigned the gardens around château d'Haroué in Lorraine in the French style).