His printmaking was revered during his relatively short career, and much admired by Campbell Dodgson, then Keeper of Prints and Drawings at the British Museum.
His work was exhibited in England (by the New Society of Artists), Canada, Australia, New Zealand, Austria and South Africa, but he stopped making woodcuts soon after the death of his mother in 1938.
[1] An exhibition of his landscapes was held at the Towner Gallery in Eastbourne, East Sussex, in 2012 - the first public display of his work for 70 years.
The Towner exhibition helped revive interest in his work and the output of other British artists who used Japanese techniques to make colour woodcuts - a printing method introduced to the UK by Frank Morley Fletcher (1866-1949) in the 1890s.
The work of both artists was shown at the Hastings Museum and Art Gallery in 2017 in an exhibition called A Sussex Wave from Japan.