[2][3] While Stanton began his career as a bondage fantasy artist for Irving Klaw, the majority of his later work depicted gender role reversal and proto-feminist female dominance scenarios.

[11][12] Though his personal preference was for drawing lady wrestling and fighting women comics, he was commissioned to create bondage fantasy chapter serials by Irving Klaw, who also sold pin-ups and movie stills from his shop on 212 E. 14th Street.

[19] In a 1988 interview with Greg Theakston, Stanton recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas....

His offset printed Stantoons comic-book series, which began in 1982, continued to his death in 1999 and featured many of his best-known "transgressive" concepts, including the superheroine Blunder Broad,[23] and the Amazon-like Princkazons.

A parody of Wonder Woman, Blunder Broad is an inept superheroine who continually fails in her missions and is invariably tortured by her enemies, who include a lesbian supervillainess called Leopard Lady, Pussycat Galore, or Cheetah, and her male sidekick Count Dastardly.

With "Lady Princker", Stanton and Shaltis (as well as Alan Throne and Winter) created the Princkazons storyline in which women around the world grew oversized female penises, or "princks".

[23] Beginning in the mid-1970s, Bélier Press, a New York publisher of vintage fetish art, reprinted many of Stanton's comic serials in its 24-volume Bizarre Comix series.

[27] Titles, mainly from the 1950s, include Dianna's Ordeal, Perils of Dianna, Priscilla: Queen of Escapes, Poor Pamela, Bound in Leather, Duchess of the Bastille, Bizarre Museum, Pleasure Bound, Rita's School of Discipline, Mrs. Tyrant's Finishing School, Fifi Chastises Her Maids, A Hazardous Journey, Helga's Search for Slaves, Madame Discipline, and Girls' Figure Training Academy.